Yelle releases translator companion app, along with lyric video for “Complètement Fou”
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Avignon Restaurant Review: Fou de Fafa
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At the same time his writing shows an unending quest for existential meaning.
We can see this in his first major attempt to describe a landscape, Langsame Heimkehr Slow Homecoming , , often viewed as a turning point in his writing. Ein Schauspiel in vier Jahreszeiten Handke often points to the medieval writer Wolfram von Eschenbach and the Quest Romance as a model of narrative, where an errant solitary hero in search of the Holy Grail is put to the test.
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This is wonderfully displayed in the recent, great novel Die Obstdiebin oder Einfache Fahrt ins Landesinnere , where the young heroine, Alexia, is wandering the long French province Picardie not knowing what strange fortune she is expecting. In another of his novels, Der Chinese des Schmerzes, Across , the protagonist Andreas Loser commits a murderous, quite unpremeditated act that dramatically changes his life arc.
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The description of the outskirts of the city of Salzburg is marvellously rich and precise, while the intrigue is rigorously reduced, almost nonexistent. The importance of the classics is also evident in his translations from ancient Greek, works by Aeschylus, Euripides, Sophocles. At the same time Handke remains acutely contemporary and one aspect of this is his relation to Franz Kafka. In the same vein Handke must revolt against his paternal heritage, in his case perverted by the Nazi regime. Handke chose the maternal, Slovenic line of heritage, a significant reason for his anti-nationalistic myth of his own Balkan origins.
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Although he has, at times, caused controversy he cannot be considered an engaged writer in the sense of Sartre, and he gives us no political programs. Handke has chosen exile as a productive life path, where the experience of passing thresholds and geographic borders recurs. If he can be described as the writer of place it is not primarily the metropolies but suburbs and landscape that attract his attention. He recaptures the unseen and makes us part of it. This happens in particular in some of his most powerful narratives, Mein Jahr in der Niemandsbucht.
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